Mae West Fashion Designer Evening Wear
Travis Banton (August xviii, 1894 – February 2, 1958) was an American costume designer. He is perhaps best known for his long collaboration with actress Marlene Dietrich and director Josef von Sternberg. He is generally considered 1 of the well-nigh of import Hollywood costume designers of the golden age.
Built-in in Waco, Texas, Banton moved to New York Urban center as a child. He was educated at Columbia University and at the Art Students League of New York where he studied fine art and style design.
An early apprenticeship with a high-society costume dressmaker earned him fame. When Mary Pickford selected one of his dresses for her wedding to Douglas Fairbanks, his reputation was established.
He opened his own dressmaking salon in New York City, and soon was asked to create costumes for the Ziegfeld Follies. In 1924, Banton moved to Hollywood when Paramount contracted with him to create costumes for his first movie, The Dressmaker from Paris.
Beginning with Norma Talmadge in Poppy, Banton designed wearable for Pola Negri and Clara Bow in the 1920s. In the 1930s and 1940s Banton designed for such stars as Kay Francis, Lilyan Tashman, Sylvia Sidney, Gail Patrick, Helen Vinson, and Claudette Colbert. Ultimately, Banton may be all-time remembered for forging the manner of such Hollywood icons as Carole Lombard, Marlene Dietrich, and Mae Due west. Dietrich and Banton had an particularly close and successful collaboration. His work for Dietrich is all the same ofttimes referenced by designers.
Glamour, subtle elegance, and exquisite fabrics endeared Banton to the most celebrated of Hollywood's beauties and made him one of the most sought-afterward costume designers of his era. As viewings of such films as The Gilt Lily (1935) and Desire (1936) reveal, his costume designs were marked by form-flattering cuts (often on the bias), rich fabrics (such as satin and lamé), and extravagant textures (beads, fur, and feathers). He collaborated closely with directors and actresses in order to fulfil their vision.
When designer Howard Greer left Paramount, Banton was promoted to Head Designer and was responsible for dressing the studio's well-nigh illustrious stars. Considering of his worsening alcoholism, and according to some commentators also at the instigation of his assistant Edith Caput, Banton was forced to get out Paramount. He returned to designing privately for loyal stars and likewise occasionally designed for Twentieth Century-Fox from 1939–1941 and Universal from 1945–1948.
Notable design projects [edit]
- Clara Bow in It and Wings, 1927
- Kay Francis in Trouble in Paradise, 1932
- Mae West in I'm No Angel, 1933 and Belle of the Nineties, 1934
- Claudette Colbert in Cleopatra, 1934
- Loretta Immature in The Crusades, 1935
- Marlene Dietrich in Morocco, 1930, Shanghai Express, 1932, The Scarlet Empress, 1934 and The Devil Is a Woman, 1935
- Carole Lombard in My Man Godfrey, 1936 Nothing Sacred, 1937 and Made for Each Other, 1939
- Dolores Costello in Yours for the Asking, 1936
- Linda Darnell in The Mark of Zorro, 1940
- Alice Faye in Lillian Russell and Tin Pan Alley, 1940
- Carmen Miranda in Downwards Argentine Way, 1940, and That Night in Rio, 1941
- Linda Darnell and Rita Hayworth in Blood and Sand, 1941
- Betty Grable in Moon Over Miami, 1941
- Rita Hayworth in Cover Girl, 1944
- Joan Bennett in Scarlet Street, 1945
- Merle Oberon in A Song to Remember, 1945
- Lucille Brawl in Lover Come Back, 1946
- Joan Fontaine in Letter from an Unknown Woman, 1948
References [edit]
- Chierichetti, David. Hollywood Costume Design, Harmony Books, 1977. ISBN 0-517-52637-9.
External links [edit]
- Travis Banton at FMD
- Travis Banton at Virtual History
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